The ‘Isms’ of Modern Art: Belgium, the Netherlands, and Beyond
Authors:
- Michał Wenderski
Abstract
This paper discusses the topic of artistic ‘isms’ in the history and historiography of modern Dutch and Flemish art in a broader European context – such as Constructivism, Neoplasticism, Elementarism, Futurism, Cubism, Expressionism etc. Exemplified by the case of the historical artistic and literary avant-garde from the Low Countries, with its polyphony of overlapping artistic ‘isms’, this paper aims to scrutinize various limitations and imprecisions that result from the use of ‘isms’ in the history and historiography of modern art, exemplified by selected avant-garde formations such as De Stijl, Het Overzicht or 7 Art
- Record ID
- UAM8c25747dae664f9f97cc156ff4016544
- Author
- Journal series
- Dutch Crossing : a Journal of Low Countries Studies, ISSN 0309-6564, e-ISSN 1759-7854
- Issue year
- 2020
- Vol
- 44
- No
- 3
- Pages
- 305-313
- Publication size in sheets
- 0.50
- Keywords in English
- Modern art, avant-garde art, De Stijl, isms of art, terminology
- ASJC Classification
- ; ;
- DOI
- DOI:10.1080/03096564.2020.1778364 Opening in a new tab
- URL
- https://doi.org/10.1080/03096564.2020.1778364 Opening in a new tab
- Language
- (en) English
- Score (nominal)
- 140
- Score source
- journalList
- Score
- = 140.0, 11-02-2022, ArticleFromJournal
- Publication indicators
- = 0; = 0; : 2018 = 0.037; : 2019 (2 years) = 0.083 - 2019 (5 years) =0.214
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- Uniform Resource Identifier
- https://researchportal.amu.edu.pl/info/article/UAM8c25747dae664f9f97cc156ff4016544/
- URN
urn:amu-prod:UAM8c25747dae664f9f97cc156ff4016544
* presented citation count is obtained through Internet information analysis and it is close to the number calculated by the Publish or PerishOpening in a new tab system.